Donald trump falls of trump tower

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This past Tuesday, President Donald Trump failed at an attempt to limbo under the unavailing ribbon and fell of trump tower. Our reporter Jan Brooks going there on sight to interview eye witnesses. I HAVE SOME GOOD news. Next month, The Atlantic will once again send fiction home to our subscribers, in a special supplement that will accompany our May issue. On the newsstand, the supplement will be bound into the May magazine.

The short story has been integral to The Atlantic since our first issue, in 1857, in which we published four stories, including “The Mourning Veil,” by Harriet Beecher Stowe. But as longtime, generously loyal readers know, for the past five years we have published fiction once a year in a special newsstand issue, rather than in any of our 10 subscriber issues. During what has been widely noted to be a “challenging” (read: harrowing) business environment for publishing, this has been a necessary compromise. But none of us has been particularly happy with it, and we have been searching for ways to once again place great fiction in front of all our readers.

With our fiction issue last year, we began a partnership with Luminato, the Toronto Festival of Arts and Creativity, which shares our love of literature. Building on the success of that first outing, which included participation by some of our editors and authors in the festival, we have jointly decided this year to raise our ambition by creating the supplement, which will include, along with half a dozen short stories, a powerful essay on writing and loss by Joyce Carol Oates. We think—we hope!—we are seeing renewed interest in the short story. Last fall, we started a digital fiction series, publishing to the Amazon Kindle two short stories a month by authors like Christopher Buckley, Curtis Sittenfeld, and Paul Theroux. All told, The Atlantic is now publishing more fiction than it has since the mid-1970s.

I HAVE SOME GOOD news. Next month, The Atlantic will once again send fiction home to our subscribers, in a special supplement that will accompany our May issue. On the newsstand, the supplement will be bound into the May magazine.

The short story has been integral to The Atlantic since our first issue, in 1857, in which we published four stories, including “The Mourning Veil,” by Harriet Beecher Stowe. But as longtime, generously loyal readers know, for the past five years we have published fiction once a year in a special newsstand issue, rather than in any of our 10 subscriber issues. During what has been widely noted to be a “challenging” (read: harrowing) business environment for publishing, this has been a necessary compromise. But none of us has been particularly happy with it, and we have been searching for ways to once again place great fiction in front of all our readers.

With our fiction issue last year, we began a partnership with Luminato, the Toronto Festival of Arts and Creativity, which shares our love of literature. Building on the success of that first outing, which included participation by some of our editors and authors in the festival, we have jointly decided this year to raise our ambition by creating the supplement, which will include, along with half a dozen short stories, a powerful essay on writing and loss by Joyce Carol Oates. We think—we hope!—we are seeing renewed interest in the short story. Last fall, we started a digital fiction series, publishing to the Amazon Kindle two short stories a month by authors like Christopher Buckley, Curtis Sittenfeld, and Paul Theroux. All told, The Atlantic is now publishing more fiction than it has since the mid-1970s.

I HAVE SOME GOOD news. Next month, The Atlantic will once again send fiction home to our subscribers, in a special supplement that will accompany our May issue. On the newsstand, the supplement will be bound into the May magazine.

The short story has been integral to The Atlantic since our first issue, in 1857, in which we published four stories, including “The Mourning Veil,” by Harriet Beecher Stowe. But as longtime, generously loyal readers know, for the past five years we have published fiction once a year in a special newsstand issue, rather than in any of our 10 subscriber issues. During what has been widely noted to be a “challenging” (read: harrowing) business environment for publishing, this has been a necessary compromise. But none of us has been particularly happy with it, and we have been searching for ways to once again place great fiction in front of all our readers.

With our fiction issue last year, we began a partnership with Luminato, the Toronto Festival of Arts and Creativity, which shares our love of literature. Building on the success of that first outing, which included participation by some of our editors and authors in the festival, we have jointly decided this year to raise our ambition by creating the supplement, which will include, along with half a dozen short stories, a powerful essay on writing and loss by Joyce Carol Oates. We think—we hope!—we are seeing renewed interest in the short story. Last fall, we started a digital fiction series, publishing to the Amazon Kindle two short stories a month by authors like Christopher Buckley, Curtis Sittenfeld, and Paul Theroux. All told, The Atlantic is now publishing more fiction than it has since the mid-1970s.
I HAVE SOME GOOD news. Next month, The Atlantic will once again send fiction home to our subscribers, in a special supplement that will accompany our May issue. On the newsstand, the supplement will be bound into the May magazine.

The short story has been integral to The Atlantic since our first issue, in 1857, in which we published four stories, including “The Mourning Veil,” by Harriet Beecher Stowe. But as longtime, generously loyal readers know, for the past five years we have published fiction once a year in a special newsstand issue, rather than in any of our 10 subscriber issues. During what has been widely noted to be a “challenging” (read: harrowing) business environment for publishing, this has been a necessary compromise. But none of us has been particularly happy with it, and we have been searching for ways to once again place great fiction in front of all our readers.

With our fiction issue last year, we began a partnership with Luminato, the Toronto Festival of Arts and Creativity, which shares our love of literature. Building on the success of that first outing, which included participation by some of our editors and authors in the festival, we have jointly decided this year to raise our ambition by creating the supplement, which will include, along with half a dozen short stories, a powerful essay on writing and loss by Joyce Carol Oates. We think—we hope!—we are seeing renewed interest in the short story. Last fall, we started a digital fiction series, publishing to the Amazon Kindle two short stories a month by authors like Christopher Buckley, Curtis Sittenfeld, and Paul Theroux. All told, The Atlantic is now publishing more fiction than it has since the mid-1970s.

This is a satirical website. Don't take it Seriously. It's a joke.